Works On Paper
As Chagall reputedly said, “Great art picks up where nature ends”. It is important to let the materials determine
what happens, not to impose too much and allow chance and intuition to dictate over intention. To be a painter
is to be a part of the cultural lineage of humanity, for painting predates the written word and connects us to our
ancient past. In this the gesture is paramount and the body integral. The paint becomes expressive, sentient
and vulnerable, built up like so many accretions of skin. As with the rings of growing trees the layers of paint are
the physical expression of the passing of time, linking the work’s beginning to its end. What Martin leaves is a
trace of his artistic and human presence, just as those early painters did deep in the Lascaux caves.Falls the shadow by Sue Hubbard, Infinitive exhibition, Lisson gallery London, 2012
Fontainhas Do Mar (landscape) I 2019
Cold process dye on Arches watercolour paper
56 x 76cm